Galerie Lelong Co Art Basel 2015 No Neo

Preview Art Basel 2019

Art Basel 2019 opens to the public on Thursday, June 13, with two preview days, on June 11 and 12. Some 290 galleries from 34 countries will prove work at the Swiss fair, which runs through June 16. Among the artists in the exhibition are Kerry James Marshall at David Zwirner (of New York, London, and Hong Kong), Tomás Saraceno at Tanya Bonakdar (New York and Los Angeles), and Farah Al Qasimi at the Third Line (Dubai).

Click the photos beneath to launch a slideshow of works that volition be at the fair.

ALL IMAGES: COURTESY THE Artist AND THEIR GALLERY; Boosted CREDITS WHERE NOTED

Galerie Eva Presenhuber, New York and Zurich | Galleries

Sam Falls, California Flora (National Forest Condensation Wall, Due north to South), process image, 2017.
©SAM FALLS

Tanya Bonakdar Gallery, New York and Los Angeles | Galleries

Tomás Saraceno, Stratocumulus/M+Westward, 2018, powder-coated stainless steel, monofilament angling line, and white panels.
©2018 PHOTOGRAPHY BY STUDIO TOMÁS SARACENO

Marlborough Gallery, New York and London | Galleries

Paula Rego, The Plumbing fixtures, 1990, acrylic on paper on canvas.

303 Gallery, New York | Galleries

Doug Aitken, Within Me, 2018, aluminum, loftier density foam, resin, machine paint, and acrylic mirror.

Blum & Poe, Los Angeles, New York, and Tokyo | Galleries

Harvey Quaytman, Mirror to Damascus, 1971, acrylic on canvass.
©HARVEY QUAYTMAN TRUST

Metro Pictures, New York | Galleries

Cindy Sherman, Untitled #198, 1989, chromogenic colour print.

Paula Cooper Gallery, New York | Galleries

Claes Oldenburg & Coosje van Bruggen, Soft French Horn, Unwound, 2002, sheet and woods painted with latex, plastic tubing.
©CLAES OLDENBURG AND COOSJE VAN BRUGGEN

kurimanzutto, Mexico City and New York | Galleries

Danh Vō, Jardín con palomas al vuelo (detail), 2018, beeswax candles naturally dyed with cochineal crimson pigment, wooden bars, cedar candle holder with glass greatcoat, and wooden tabular array.

David Zwirner, New York, London, and Hong Kong | Galleries

Kerry James Marshall, Laundry Man, 2019, acrylic on PVC.
©KERRY JAMES MARSHALL

Karma International, Zurich and Los Angeles | Galleries

Pamela Rosenkranz, Anemine (Verduous Debris), 2018, acrylic and anemine on aluminium.

Chapter NY, New York | Statements

Erin Jane Nelson, Indigo Rain Cavern, 2019, photographs on glazed stoneware.

Richard Gray Gallery, New York and Chicago | Galleries

Theaster Gates, Kitsch Italian Pattern on the Backs of Blacks, 2018, works on paper, digital and screen print on Somerset 330gsm paper.
©THEASTER GATES

Di Donna Galleries, New York | Galleries

Salvador Dalí, Leda Atomica, 1947, pen, ink, and crayon on newspaper.
©2019 SALVADOR DALÍ, GALA-SALVADOR DALÍ FOUNDATION/ARTISTS RIGHTS Society (ARS), NEW YORK

Fraenkel Gallery, San Francisco | Galleries

Hiroshi Sugimoto, Polarized Colour 020, 2018, chromogenic impress.
©HIROSHI SUGIMOTO

Salon 94, New York | Galleries

Huma Bhabha, Mechanic, 2015, cork, styrofoam, cardboard, acrylic paint, oil stick, boom smooth, and wood.

Almine Rech, New York, London, Paris, and Brussels | Galleries

Günther Förg, Untitled, 2008, acrylic on sheet.
©2019 Estate GÜNTHER FÖRG, SUISSE/VG BILD-KUNST, BONN

Andréhn-Schiptjenko, Stockholm | Galleries

Xavier Veilhan, Mobile n°half dozen, 2018, cork, carbon, stainless steel, linen, ink, and poluyrethan pigment.
©VEILHAN/ADAGP, PARIS, 2019/PHOTOGRAPHY © DIANE ARQUES/ADAGP, PARIS, 2019

Susan Sheehan Gallery, New York | Edition

Ed Ruscha, Double Standard, 1969, color screenprint.

Alan Cristea Gallery, London | Edition

Georg Baselitz, Devotion (de Kooning), 2018, etchings on Somerset White Satin 300 gsm paper.

Jan Kaps, Cologne | Statements

Berenice Olmedo, Janis, 2019, hard plastic orthosis, velcro, steel, and condom.

Barro Arte Contemporáneo, Buenos Aires | Statements

Gabriel Chaile, Aguas calientes, 2019, impress.

The Third Line, Dubai | Statements

Farah Al Qasimi, Aviary, 2019, inkjet print.

König Galerie, Berlin | Parcours

Rinus Van de Velde, Prop, Flood, Roof, 2018, paper-thin, pigment, metallic, wood, h2o, and mixed media.

dépendance, Brussels | Parcours

Jos de Gruyter & Harald Thys, Die Schmutzige Puppen von Pommern, 2018, cackcloth, straw, and false hair.

Greene Naftali, New York | Parcours

Dan Graham, Dancing Circles, 2018, stainless steel and two-way mirror glass.

Daniel Marzona, Berlin | Feature

Bernd Lohaus, Untitled (Klänge), ca. 1989, wood and chalk.
COURTESY THE ESTATE OF BERND LOHAUS

Corbett vs. Dempsey, Chicago | Feature

Dominick Di Meo, Untitled, 1966, collage, constructed polymer, and acrylic on canvas.

Hauser & Wirth, Zurich, London, New York, St. Moritz, Somerset, Los Angeles, Hong Kong and Gstaad | Unlimited

Larry Bell, Hydrolux, 1986, installation view.

Alexander Gray Associates, New York | Unlimited

Coco Fusco, Tin can Human being of the Twenty-First Century, 2018, aluminum and steel.

Gagosian, New York, London, Beverly Hills, San Francisco, Paris, Rome, Geneva, Athens, and Hong Kong | Unlimited

Steven Parrino, thirteen Shattered Panels (for Joey Ramone), 2001, xiii standard panels of gypsum plaster board painted with blackness industrial lacquer.